
Shipton Manor was bought in 1970 by Richard Branson for £35,000, with a part loan from his Aunt Joyce and a bank. Set in 35 acres of ground, with parts of the main house dating back to the 9th century, it provided a totally different environment to record in from the inner city studios. The studio was built in the stable block to the side of the house that originally housed a squash court. The control room was set up on a balcony reached by a set of steep dimly lit stairs with a small outside window providing natural daylight. There was very little studio design to the first incarnation but by the end of 1971 in was a functioning studio of sorts.
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The studio opened on 3rd Nov. 1971 with the first recordings being of The Bonzo Dog Band album, 'Lets Make up and be Friendly" followed by John Cales 'The Academy in Peril'. They couldn't actually get planning permission to run the studio at night due to objections from the neighbours and the police were actually called out on a number of occassions when sessions did continue late. A guard would be posted at the gate and would press an alarm button to alert the studio. 'By the time the police arrived, everyone was in the kitchen drinking coffee! After a while the police got fed up and didn't bother any more!'
The original studio desk was made by Walsall timing developments, ( who became Audio Developments and Rebis ) a 20 into 16 which fed a 16 track Ampex 1000.
In 1972 Richard Branson and Tom Newman signed musician Mike Oldfield to the newly formed Virgin Records label. He had recorded demos of his instrumental concept album the previous year at Abbey Road but the general consensus from the record industry was that an instrumental 'rock' album of tracks lasting 25 minutes would not be a commercial viability. Oldfield took up residence in The Manor in September 1972 and worked on the album with Tom Newman till Spring 1973 using studio down time and night sessions. | ![]() | ||
The album would go on to sell 15 million copies, topping the charts in 17 countries inculding Britain and America. This would provide the finance for the expansion of the Virgin empire.
In 1973 Virgin bought the Pye mobile as second unit with a Neve series 80 desk.This was later stripped and the gear set up in Mike Oldfield's house to record the album Ommadawn.
In 1975 it was decided to totally rebuild and re-equip the studio bringing in Westlake Audio for the design and a new 32 into 24 console was ordered from Helios.The wraparound Helios console frame also housed four Kepexes, two DBX companders, two UA compressors, two Teletronix LA3a, four A&D F760s,an Eventide Phaser Little Dipper notch filter and two Neve compressors.
It reopened again on August 1st 1976.
The new Helios cost £50,000 and had the wrap around style to meet the symmetrical requirement of the Westlake room. It was a 32 into 24, with 4 band eq (with variable Q). The new studio also had 2 EMT plates, 2 Master Room reverbs and all Ampex tape machines.
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In Febuary 1982 an SSL 4000 E series 40 input console was installed and the Helios sold.
In 1992 Virgin Records, including the studios were sold to Thorn-EMI. In 1995 the studios were closed for good by EMI and The Manor sold for £750,000 supposedly to the Marquess of Headfort.
The barn which used to house the recording studio has been converted into a billiards room and a games room so it went full circle. | ![]() | ||
Classical Manor a stone's throw from Oxford - August 2010 Offers in excess of GBP £5,750,000
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Shipton Manor - 2011
1979
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1976
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The Manor - 2010
The Lake The Barn The Gates
The Gardens
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